From the pre-2015 Cambiata Press catalog. Titles with a link have a Performance Guide. Order scores from J.W. Pepper.
Masterworks Listed by Voicings
THREE-PART CCB ALL-BOYS
TWO-PART SC C=Cambiata B=Baritone
These pieces also may be sung as SA. Except those marked with an asterisk (*),
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| please purchase Parts I (Version I) or Part II (Version II) for Sopranos, Part III | Alleluia Bach/Siltman | M486198 |
for the Cambiatas (all versions), and one copy of the choral score for the director. Read about the Features of this Unique Series for more details
THREE-PART TCB ALL-BOYS
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| Glory to God in the Highest | Pergolesi/Collins | D983175 |
| Hear the Choir of Voices Singing | Bortniansky/Knight | TT20207 T=Treble, C=Cambiata, and B=Baritone |
Regarding those marked with an asterish, p lease purchase Parts I (Version I) or
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| * Praise to the Lord | Stralsund Gesanbuch (1665 ) (version I) |
Part II (Version II) for Boy Trebles, Part III (all versions) for Cambiatas, Part IV * Praise to the Lord – Stralsund Gesanbuch (1665 ) (version II) for Baritones (all versions), and one copy of the choral score for the director.
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| Psalm 103 | Bortniansky/Knight | T180137 Read about the Features of this Unique Series for more details. |
| * Who Is Sylvia? | Schubert/Collins | MM110006cs (version II) |
| * Who Is Sylvia? | Schubert/Collins | MM110006cs (version I) Hear the Choir of Voices Singing Bortniansky/Knight TT20207 |
| * Praise to the Lord | Stralsund Gesanbuch (1665 ) (version I) | |
| * Praise to the Lord | Stralsund Gesanbuch (1665 ) (version II) | |
| TWO-PART SB | Psalm 103 Bortniansky/Knight | TT20208 |
| * Who Is Sylvia? | Schubert/Collins | MM110006cs (version I) |
| Females on one part and the adolescent baritones on the other. With these pieces, | * Who Is Sylvia? Schubert/Collins | MM110006cs (version II) |
please purchase Parts I (Version I) or Part II (Version II) for Sopranos, Part IV for Baritones (all versions), and one copy of the choral score for the director.
Read about the Features of this Unique Series for more details THREE-PART CBB ALL-BOYS
C=Cambiata B=Baritone
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| Praise to the Lord | Stralsund Gesanbuch (1665 ) (version I) | |
| Praise to the Lord | Stralsund Gesanbuch (1665 ) (version II) | |
| Jesu, Joy of Man’s Desiring | Bach/Siltman | M97687 |
| Who Is Sylvia? | Schubert/Collins | MM110006cs (version I) |
| Jesu, Joy of Man’s Desiring | Bach/Siltman | M97687 |
| Who Is Sylvia? | Schubert/Collins | MM110006cs (version II) |
THREE OR FOUR-PART
TWO -PART CB ALL-BOYS SSC(B) & SAC(B)
C=Cambiata, and B=Baritone The adolescent baritone part is written but may be omitted if desired. Those With these pieces, please purchase Parts III for Cambiatas, Part IV for marked with asterisk may be sung as SSA(B) or SSAB. Regarding those marked Adolescent Baritones, and one copy of the choral score for the director. Read with an asterisk (*), p lease purchase Part I for Soprano I, Part II for Soprano II, about the Features of this Unique Series for more details Part III (for Cambiatas or Altos, and one copy of the choral score for the director. Read about the Features of this Unique Series for more details.
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| Praise to the Lord | Stralson Gesanbuch (1665 ) | |
| Hallelujah, Amen | Handel/Taylor | M17312 |
| Who Is Sylvia | Schubert/Collins | |
| Praise To the Lord | Gesanbuch/Collins/Cooper | MM110004s |
| * Praise To the Lord | Gesanbuch/Collins/Cooper | MM110004s (without baritone) |
| Saviour, Hear Me, O | Gluck/Taylor | M17672 |
| TWO -PART TC ALL-BOYS | Who Is Sylvia? Schubert/Collins | MM110006cs |
| * Who Is Sylvia? | Schubert/Collins | MM110006cs (without baritone) |
T=Treble C=Cambiata Purchase Part I (Version I) or Part II (Version II) for Boy Trebles, Part III for
Cambiatas, and one copy of the choral score for the director. Read about the FOUR -PART VARIABLE VOICING
Features of this Unique Series for more details. May be sung SSCB, SACB, SSAB, or SSAT.
Cambiatas or Altos, Part IV for Adolescent Baritones (if desired), and one copy of
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| the choral score for the director. Read about the Features of this Unique Series for | He Watching Over Israel (from Elijah) Mendelssohn/Collins | M97557 |
| more details. | I ntroit and Kyrie ( Requiem , Op. 48) Fauré/ Kicklighter | M117692 |
| Jesus, Priceless Treasure | Cruger/Bach/Collins | M982170 |
| Joy Fills the Morning | Lotte/Farrell | M983177 |
| * Glory to God in the Highest | Pergolesi/Collins | D983175 (version I) Joyful, Joyful, We Adore Thee Beethoven/Ehret NEA 145-B |
Praise to the Lord – Stralson Gesanbuch (1665) (version I) Let Us Sing of the Lord’s Wondrous Story Mascagni/Collins
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| Praise to the Lord – Stralson Gesanbuch (1665) (version I without baritone) | Life of the Gypsy Verdi/Collins | M503206 |
| Praise to the Lord | Stralson Gesanbuch (1665) (version II) |
Praise to the Lord – Stralson Gesanbuch (1665) (version II without baritone ) MIXING MELODY STYLE
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| Who Is Sylvia? | Collins | MM110006cs (version I) |
| Who Is Sylvia? | Collins | MM110006cs (version I, without baritone) These arrangements may be sung as solos or by mixing any other two, three, or |
| Who Is Sylvia? | Collins | MM110006cs (version II) |
combination of voices. Read about the Features of this Unique Series for more
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| Who Is Sylvia? | Collins | MM110006cs (version II, without baritone) details. |
| Praise to the Lord | Stralson Gesanbuch (1665) | |
| Who Is Sylvia? | Franz Schubert |
THREE-PART SCB
FOUR-PART SSCB or SACB
T hese pieces also may be sung as SAB because the cambiata part is written in the treble clef. Those marked with a plus sign have optional baritone which may be T hese pieces, except those marked with an asterisk, also may be sung as SSAB omitted if desired. Relative to thoses marked with an asterisk (*), purchase Part with groups of older adolescents and adults where there are more girls than guys. I (Version I) or Part II (Version II) for Sopranos, Part III for Cambiatas or Altos, The cambiata part is written in treble clef to be sung at actual pitch . Part IV for Adolescent Baritones, and one copy of the choral score for the director. Read about the Features of this Unique Series for more details.
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| Adoramus Te, Christe | Palestrina/Farrell | M485187 |
| Adoramus Te, Christe | Mozart/Collins | D978120 |
| Alleluia | Bach/Siltman | M486198 |
| Adoramus Te, Christe (from The Seven Last Words ) | ||
| For All the Saints V. | Williams/Cooper | I978103 |
| Dubois/Richison | M17797 | |
| + Glory to God in the Highest | Pergolesi/Collins | D983175 |
| Agnus Dei | Gabrieli/McCray | M97682 |
| +Joy That Knows No Bounds | Genevan/Springfield | L97438 |
| Ave Verum | Mozart/Lyle | M17552 |
| Lift Thine Eyes (from Elijah ) | Mendelssohn/Kirby | M117322 |
| Ave Verum Corpus | Byrd/Collins | D97812 1 |
| Love Divine | Pritchard/Cooper | I180139 |
| * Behold the Lamb of God (from Messiah ) | Handel/Beal | M17427 |
| O Lord Most Holy | Franck/Ehret | M991200 |
| Cast Thy Burden Upon the Lord ( from Elijah ) | ||
| Praise To the Lord | Gesanbuch/Collins/Cooper | MM110004s (version I) |
| Mendelssohn/Farrell | M980143 | |
| Praise To the Lord | Gesanbuch/Collins/Cooper | MM110004s (version II) |
| Cherubim Song | Bortniansky/Collins | D978119 |
| + Psalm 103 | Russian/Knight | T180137 |
| Da Pacem Domine | Franck/Pardue | M979126 |
| + Spacious Firmament on High, The | Tallis/Cooper | I979132 |
| Gloria in Excelsis Deo (from the 12th Mass ) | ||
| + Watchman, Tell Us | Mason/Cooper | I979132 |
| Mozart/Collins | M97437 | |
| Who Is Sylvia? | Collins | MM110006cs (version I) |
| Who Is Sylvia? | Collins | MM110006cs (version II) Gloria (from Mass No. 2 in G) Schubert/Collins M100203 |
| Gloria (from Gloria Mas s) | Vivaldi/Collins | M117207 |
| Hallelujah (from Messiah ) | Handel/Richison | M97317 |
| THREE-PART SABoys | * Hallelujah, Amen Handel/Taylor | M17312 |
| Here Comes the Bride | Wagner/Collins | M503205 |
The lower part is written in the bass clef and is designed to be sung by cambiata
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| and/or baritone or both combined. | He Watching Over Israel (from Elijah) Mendelssohn/Collins | M97557 |
| *Hosanna | Gregor/Lyle | M979135 |
| Hallelujah, Amen | Handel/Taylor | M17312 I ntroit and Kyrie ( Requiem , Op. 48) Fauré/ Kicklighter M117692 |
| O Lord Most Holy | Franck/Ehret | M991200 Jesus, Priceless Treasure Cruger/Bach/Collins M982170 |
| Joyful, Joyful, We Adore Thee Beethoven/Ehret NEA 145 | Let Us Sing of the Lord’s Wondrous Story | |
| M503203 (Key of F) M503204 (Key of G) | Mascagni/Collins | |
| THREE-PART SSC or SAC | Life of the Gypsy Verdi/Collins | M503206 |
| Now Let the Heavens Adore Thee | Bach/Collins | D978122 |
| These also may be sung as SSA since the cambiata is written in the treble clef | Praise To the Lord Gesanbuch/Collins/Cooper | MM110004s |
| except those marked with a plus sign. The piece marked with an asterisk also has | Rest in the Lord (from Elijah ) Mendelssohn/Knight | M117567 |
an optional adolescent baritone part which may be omitted if desired. They may
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| Savior Hear Me, O | Gluck/Taylor | M17672 |
be sung SSC, SAC, SSCB or SACB. Relative to the two marked with a plus sign
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| (+), purchase Part I for Soprano I, Part II for Soprano II or Altos, Part III for | She Walks In Beauty Brahms/Hokanson | M117447 |
| Cambiatas, and one copy of the choral score for the director. Read about the | Surely He Hath Borne Our Griefs Handel/Beal | M97201 |
| Features of this Unique Series | for more details. Tenebrae Factae Sunt Ingegneri/Collins | D981155 |
| Who Is Sylvia? | Collins | MM110006cs |
| Alleluia | Mozart/Ehret | M979124 |
| Kyrie Eleison | Ashton | C979125 |
| + Praise To the Lord | Gesanbuch/Collins/Cooper | MM110004s |
| +Psalm 103 | Russian/Knight | T180137 |
| + Savior Hear Me, O | Gluck/Taylor | M17672 FOUR-PART SACB or SATB |
| + Who Is Sylvia? | Collins | MM110006cs |
C=Cambiata B=Baritone
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| THREE-PART VARIABLE VOICING | Behold the Lamb of God Handel/Beal | M17427 |
| Those marked with an asterisk may be sung as SSA, SSC, SAC or CBB. The | Hosanna Gregor/Lyle | M979135 |
others may be sung as SCB, SAB, or CBB. Those marked with a plus sign have Joyful, Joyful, We Adore Thee Beethoven/Ehret NEA 145-B
| Title | Composer / Arranger | Catalog # |
|---|---|---|
| optional baritone which may be omitted if desired. | She Walks In Beauty Brahms/Hokanson | M117447 |
| Surely He Hath Borne Our Griefs | Handel/Beal | M97201 |
| Alleluia | Mozart/Ehret | M979124 |
| Hallelujah, Amen | Handel/Taylor | M17312 |
| + Hear the Choir of Voices Singing | Bortniansky/Knight | TT20207 |
| * Kyrie Eleison | Ashton | C979125 FOUR-PART CCBB ALL-BOYS |
| Lift Thine Eyes (from Elijah ) | Mendelssohn/Kirby | M117322 C=Cambiata B=Baritone |
| O Lord Most Holy | Franck/Ehret | M991200 |
| +Psalm 103 | Bortniansky/Knight | T180137 Ave Maria Arcadelt/Johnstone M97442 |
| Integer Vitae (Father Almighty) | Flemming/Johnstone | M97562 |